这个思考模式鼓励学生在一个特定的系统里思考不同人物的观点。其目标是帮助学生理解系统里的不同角色，他们会用什么形式去表达感受以及对系统里其他人物和事物的关心。
Thinking Routines
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Field NoteTinkering Towards a Definition of Tinkering
Tinkering Towards a Definition of Tinkering
How do you define tinkering? In this post, Agency by Design principal investigator Shari Tishman tinkers towards a definition of tinkering that considers standard text book definitions, examples from real life tinkerers, and a consideration of the “symptoms” of tinkering.
thinking routines“深入拆解”的思考模式 (简体版）
“深入拆解”的思考模式 (简体版）
这个思考模式通过让学生慢慢、细心地观察物件和系统中的细节，鼓励他们不止观察物件的表面特征，更重要的是了解其内部运作。
Field NoteCuriosities, Collections, and Curating: Considering Maker Portfolios
Curiosities, Collections, and Curating: Considering Maker Portfolios
AbD researcher Jessica Ross elaborates on her role in the Open Portfolio Project by asking the question: What advice can we offer young makers as they document their making throughout their lifetimes?
Field NoteA Culture (and Economy) of Making and Sharing
A Culture (and Economy) of Making and Sharing
The maker movement is no doubt still trending. But what’s driving this resurgence in the inclination to make? And is it a part of a larger socio/economic shift to a shared, participatory culture?
activities and practicesTake Apart
Take Apart
Mechanical dissections are a practice that allows learners to discover the often hidden design of objects.
pictures of practiceCollaborative Partnerships Through Systems Thinking
Collaborative Partnerships Through Systems Thinking
Educator Tatum Omari examines the system of educator collaborations and partnerships.
publicationsParticipatory Creativity: Introducing Access and Equity to the Creative Classroom
Participatory Creativity: Introducing Access and Equity to the Creative Classroom
Participatory Creativity: Introducing Access and Equity to the Creative Classroom presents a systems-based approach to examining creativity in education that aims to make participating in invention and innovation accessible to all students. Moving beyond the gifted-versus-ungifted debate present in many of today’s classrooms, the book’s inclusive framework situates creativity as a participatory and socially distributed process. The core principle of the book is that individuals are not creative, ideas are creative, and that there are multiple ways for a variety of individuals to participate in the development of creative ideas. This dynamic reframing of invention and innovation provides strategies for teachers, curriculum designers, policymakers, researchers, and others who seek to develop a more equitable approach towards establishing creative learning experiences in various educational settings.